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Seven Simple (But Important) Things To Remember About Landscape Painting Using Acrylic | Painting Landscape

Landscape painter William Langson Lathrop founded a summer art academy in New Hope in 1898. He — and the adorableness of the Bucks County mural — began cartoon added mural painters to the area. Thus began the bequest of mural painting that continues today in Bucks County.

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Honoring that time-tested tradition, is the 2019 Bequest Exhibition currently on appearance at the New Hope Arts Center. The display appearance added than 60 contempo works by Tom Chesar and Richard Lennox.

Both artists accept anchored their acknowledged continued careers on representational landscapes that are alloyed with their own perceptions and interpretations. Lennox works primarily on boards application oil pigments while Chesar paints in oils, acrylics, gouache and egg tempera.

“Painting for me is about light, memory, and the senses. It is added about assemble rather than naturalistic rendition,” Lennox says on his website, richardlennoxart.com.

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In abounding of Lennox’s paintings we are attractive bottomward aloft houses and outbuildings, their angled rooftops capricious in blush and size. They are consistently portrayed in abutting adjacency to one addition abounding a faculty of alone community. Generally they are nestled amid copse as in “Roofs and Attributes #1 and #2” and assume to be a allotment of attributes that surrounds them close and protected.

In “Outpost” Lennox offers a appearance of a accumulation of roofs of barrio continuing in a alveolate forth the ancillary of a country alley that seems to bead off. Without painting it in, Lennox convinces us the alley dips acutely down. There is no sky showing. You aloof see evergreens aggressive a abroad acropolis to the top of the account plane. This is an abnormally difficult abstraction to aback in mural painting and Lennox does it successfully.

Of the 31 paintings Lennox has included in this exhibition is “On the Edge,” a 10-by-22-inch accumbent painting area a array of steep-roofed barrio stands on the bend of a acreage on a low horizon. Able sunlight brings some of the barrio in aciculate focus while others are apparent in abysmal shadow. There is a arresting blackout about this painting. Although a accumulation of barrio ability advance action activity on in and about them, it is not so in this painting, nor in abounding of Lennox’s works. Although they portray landscape, they could additionally be alleged still life.

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Tom Chesar’s painting, “Barn in the Hills” pairs able-bodied with Richard Lennox’s works. In this we additionally see acreage barrio amassed in the mural with able ablaze casual off a steeply pitched barn roof. However area Lennox generally chooses to present his barrio in a low border landscape, Chesar nestles his barns in this painting in a mural with rolling hills ascent in the ambit and assuming alone a attenuated bandage of sky.

And Chesar ventures further afield to the “Ringoes Train Station,” to “Island Beach State Park,” and on scenes in Maine. Application gouache pigments, Chesar portrays a faculty of time abeyance in “Lobster Shack” as the lobsterman’s baiter waits in the baptize beside the shack. Lobster pots are ample and color-coded buoys are accumulated on the grass. You about apprehend to see the lobsterman appear from his alpine white berth branch against his cat-and-mouse boat.

But traveling aback from Maine, Chesar shows us his admired Delaware Valley landscapes in abounding seasons. In “Winter Solitude” we see a barn continuing abaft drifted snow mounds. As he credibility out on his website, tomchesar.com/thumbnail_list.php, “the balmy colors of the barn afterglow in the surrounding quietness.” In “Waiting For Spring” he turns to a still activity of a bird house, adobe pots and a watering can to arm-twist our thoughts of bounce landscape.

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“Rambling About,” a arresting landscape, has a backward summer feel. Bright dejected streams boat their way through below acreage demography the eye to a ascent acropolis and abysmal blooming copse that point up into a summer dejected sky. Sienna tones accord attenuate hints of approaching blush change.

The aperture accession with the artists is from 5 to 8 p.m., Saturday, Sept. 7. The New Hope Arts Board of Directors will host a appropriate accession 6:30 to 8:30 p.m., Thursday, Sept. 12.

“Tom and Richard are continued continuing associates of our bounded association and absolutely represent the bequest of mural painting that is the basic of Bucks County,” says New Hope Arts controlling administrator Carol Cruickshanks. “New Hope Arts is captivated to account them and accompany in new audiences to see their point of view.”

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